Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Guillaume Seignac
Belgium, France, and England Before the German Invasion

ID: 98487

Guillaume Seignac Belgium, France, and England Before the German Invasion
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Guillaume Seignac Belgium, France, and England Before the German Invasion


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Guillaume Seignac

He was born in Rennes, France, in 1870, and died in 1924. He started training at the Academie Julian in Paris, where he spent 1889 through 1895. He had a lot of teachers there, including Gabriel Ferrier, and Tony Robert-Fluery. Tony Robert Fluery was a noted history and genre artist. Gabriel Farrel, on the other hand, had been an awarded Prix de Rome. He had another one named William Bouguereau.  Related Paintings of Guillaume Seignac :. | La Vague | Jeune femme de Pompei sur une terrasse. | Belgium, France, and England Before the German Invasion | Pierrot's embrace | Nymph at the Fountain |
Related Artists:
Joseph Ducreux
1735-1802 French French painter, pastellist and engraver. He lived in Paris from 1760 and from 1762 kept a list of his works. Among the portraits he completed in his early years were those in pastel of the well-known connoisseurs Pierre-Jean Mariette, the Comte de Caylus and Ange-Laurent de la Live de July (all untraced), which apparently were copies after Maurice-Quentin de La Tour. Ducreux has traditionally been seen as de La Tour favourite pupil, while Jean-Baptiste Greuze is supposed to have initiated him into oil painting. From his age, it can be assumed that by the time Ducreux reached Paris he had already acquired a grounding in his art.
Dirck Barendsz
(1534?C1592) was a Dutch Renaissance painter from Amsterdam who traveled to Italy in his youth to learn from the Italian masters, most notably Titian.
Prout, Samuel
English Painter, 1783-1852 Painter, draughtsman and writer. Together with his fellow pupil Benjamin Robert Haydon, Prout was encouraged to study drawing by the headmaster of his grammar school in Plymouth. In 1801 he met the topographer and antiquarian John Britton, who, impressed with his work, invited him to London the following year to make drawings of antiquarian subjects and copy works of other artists, including Thomas Hearne, William Alexander and J. M. W. Turner.






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